Shawn Donohue

Manu Chao: La Radiolina

For a man who sings in 7 languages, one is surprised at how clearly his consistent passion comes alive.  Manu Chao manages to instill all of his songs with a sense of purpose, whether extolling his far left politics, serenading a loved one in a back alley or pumping up the partying pogoing masses, the passion comes through to the listener, even if they do not comprehend the meaning of the words, they still comprehend.

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Mariee Sioux: Faces in the Rocks

The sound on Faces in the Rocks seems to have sprouted effortlessly from a mountain spring or twisting root, nature is imbedded in every note and vocal flutter from Mariee Sioux on her first release.

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Shiny Toy Guns – Music in the Wires

Shiny Toy Guns are an L.A. quarter who have been gaining steam playing sold out crowds here and abroad as well as at some top notch exclusive get-togethers (more on that later). Their alive style of new wave/guitar/pop/electronica creates dense textures both musically and vocally. Thanks to melodious male/female leads sung by Chad Petree and Carah Faye and complex song structures, Shiny Toy Guns are able to tackle issues of gender and fear in fresh ways testing at times and reassuring at others along the journey. This is not your typical synth-pop band.

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Ravens and Chimes: Reichenbach Falls

There are songs of the summer, albums that make you recall springtime or the falling of leaves; Reichenbach Falls, the debut from Ravens and Chimes is most certainly a winter album. Its snowy soundscapes and brushed wind chime keyboards slide into icicle coated glockenspiel, combined with the isolated frailty and indie-yearning of vocalist Asher Lack, the operatic movements play as New York City’s response to the Arcade Fire.

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Dax Riggs: Mercury Lounge, New York, NY – 6/13/07

While Dax’s voice can successfully range all over the map, his song writing focuses in one realm – darkness.  His soon to be released album is titled We Sing of Only Blood and Love and that sums up the content nicely, with the love being more on brooding tip as opposed to puppies and flowers.

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The White Stripes: Madison Square Garden, New York, NY 07/24/07

Dressed in a solid, blood-red and standing in front of a plain red stage, with an apple red guitar, Jack White kicked off the White Stripes’ first show at Madison Square Garden in style with the bare-boned power-blues of “Dead Leaves on the Dirty Ground”, kicking the fictional brother/sister team off and running and they didn’t stop for the next two hours.

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Low: Drums and Guns

The minimalist veterans are back restraining their outward energy but grinding the internal millstone on their newest effort, Drums and Guns. Low went a bit poppy/mainstream (for them at least) with their last effort The Great Destroyer, but now it is back to bleak with Drums and Guns.

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The White Stripes: Icky Thump

 You’re staring at a record that has enough spit and polish to be mainstream; enough off-kilter punk blues for diehards; enough sonic experimentation to cover up the groups’ normal shortcomings (Meg’s elementary drumming); lyrics that come from the wise and fun loving ventricle of Jacks heart (“And lots of other situations where I don’t know what to do/at which time God screams to me/“There’s nothing left for me to tell you”)…and you’re staring at the album of the year.

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