Elephant: A New Perspective On Columbine
E.c. Thomas
November 11, 2003
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With his newest film, Elephant, writer/director Gus Van Sant continues his exploration into what it
Interviews
Scratch Tour 2003: Put the Needle On the Future…And The Past (Interview With Rob Swift)
Shane Handler
November 11, 2003
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On the heels of the acclaimed feature film documentary, Scratch, which chronicles the birth and evolution of the hip-hop DJ, the Scratch Tour 2003 features turntable masters QBert, Mix Master Mike, X-ecutioners, Z-Trip and the Original Jazzy Jay. Incorporating multimedia artists and opening sets by local DJs, the Scratch Tour proves DJs are more than equal to their traditional instrument peers
Garaj Mahal: Simplifying The Equation (Interview with Fareed Haque)
E Ward
November 11, 2003
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It
Chris Robinson: A Truck Stop In Toledo (INTERVIEW)
E Ward
October 26, 2003
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With The Black Crowes on hiatus, the band
Michael Franti and Spearhead: We Don’t Stop (INTERVIEW)
Shane Handler
October 6, 2003
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For nearly two decades, Michael Franti has ignited live music with an outspoken spark that signifies revolution, change and awareness. From the black industrial sounds of the Beatnigs in the 80
American Splendor: Comic Books Go Cannes (Interview With Harvey Pekar)
E.c. Thomas
October 6, 2003
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Since 1976, Harvey Pekar’s intimate worldview has been captured and published in his own comic book American Splendor. The first comic book of its kind, it truly is nothing more, and nothing less, than the everyday that is Harvey Pekar. And now that unique, and at the same time universal perspective of the 9-5 working man negotiating his way through the ordinary and absurdity of life is on silver screens across the country.
The Dandy Warhols: A New Wave of Artistic Freedom (Interview With Courtney Taylor-Taylor)
Shane Handler
October 6, 2003
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The Dandy Warhols bring a sound and style derived from a wide array of music’s past – the junk-culture references of Lou Reed and the Velvet Underground, the glamour/flamboyance of Duran Duran, and the seductive swagger of the Rolling Stones.
Andy Hess: New Mule For The Bass Ride (INTERVIEW)
Shane Handler
October 6, 2003
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Since Allan Woody
The Incredible Moses Leroy: Making Simple, Incredible (Interview With Ron Fountenberry)
E Ward
October 6, 2003
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The recent surge in singer-songwriters has given pop music a certain level of respect it once had, before losing it to over-sensationalized choreography and flashy outfits for teens. The acoustic rhythms and lyrical sincerity of the genre are free from the over-produced work more elaborate pop-rock stars inevitably succumb to. While still simple in structure, this reflection back to the roots of songwriting has resurrected an industry plagued with turmoil and profit-loss with it’s little touch of integrity. And now, as The Incredible Moses Leroy is beginning to prove, the category no longer must be synonymous with a solo mic and acoustic guitar, but free to embrace all of our creative contemporary outlets.
Screenwriter Mike White of ‘School of Rock’ Featuring Jack Black (INTERVIEW)
E.c. Thomas
October 6, 2003
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The trouble with being a screenwriter is the irony that you are invisible to those who see your work. On the other hand, maybe that
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