The Academy Awards are this Sunday, and by Monday morning I’m sure we’ll all be debating the pros and cons of the awards given. That’s sort of a fact of
‘Better Call Saul’ hits a narrative wall in its third episode, relying on cheap crime show devices and cheaper ‘Breaking Bad’ callbacks. But it’s not all bad.
[rating=1.00] The whole phenomenon surrounding the Fifty Shades of Grey trilogy has always baffled me. I’ve seen it billed as “housewife porn,” a sort of refuge of sexual imagination and
‘Better Call Saul’’s opening episodes rise above ‘Breaking Bad’ callbacks, solidifying Saul Goodman as a fascinating lead character.
It’s been 27 years since the release of NWA’s seminal album, Straight Outta Compton, and the culture of America hasn’t quite been the same since. Recorded in response to the
[rating=6.00] There’s a prevailing sense among many armchair critics and internet commenters that a movie—or really, anything—needs to be wholly original in order to be considered a valid entry into
It’s easy to be cynical these days, what with all the remakes and reboots Hollywood seems dead set on shoving down our throats. Is nothing sacred anymore? Do we really
Marvel studios seems bound and determined to become the reigning kings of all media. They’ve already taken over the world, turning their upstart movie production studio into a billion dollar
No one ever accused Saul Goodman of being a great lawyer, but it’s an accusation I’m making now. From the moment Bob Odenkirk’s sleazy attorney first bumbles onto the screen
Actor Martin Starr (‘Freaks & Geeks,’ ‘Party Down’) speaks to Glide about his first leading man role in the dramedy ‘Amira & Sam,’ his increasingly busy work schedule, and the future of ‘Silicon Valley.’
