It is hard to believe that Oxis, the marine-based electronic singer/songwriter/producer, only started her series of self-titled releases three years ago. Her music reaches a level of intimacy and vulnerable
It’s hard to believe that James Hunter has been recording for almost four decades now. His Off the Fence is his eleventh studio album and debut for Dan Auerbach’s Easy
Mike Mattison & Trash Magic make it all sound easy on Turn A Midnight Corner. A uniformly excellent explorative statement in contemporary blues, this Landslide Records effort is the flashpoint
At this point, we should treat singer-songwriter/poet/visual artist Courtney Marie Andrews’ music as evolving and taking on more polish with each release. Her previous release, 2022’s Loose Future, came with
Pink Floyd’s recognition of the half-century milestone of Wish You Were Here continues what, with period collections such as 2019’s The Later Years, has become something of a cottage industry
The south London-based post-punk outfit Dry Cleaning starts 2026 with a confident offering as their third studio full-length, Secret Love, successfully expands and polishes their sound. The quartet of Florence
Alison Krauss & Union Station had already been together in various forms for more than a decade by the time their Live album was recorded in 2002. Krauss emerged as
Rhino Records has issued some very expansive archival collections of the Replacements’ music, and, at least in terms of heft, this triple-CD set of Let It Be doesn’t quite measure
Juliana Hatfield is one of those truly great Gen X musical touchstones who remain as prolific and musically relevant now as she was at the height of her popularity in
Few Manchester groups configured the late-’80s shift toward dance-leaning guitar music as naturally as Happy Mondays. Rising out of Salford’s post-punk sprawl, they fused guitar music with club culture at
