Morgan Nagler has spent years behind the scenes shaping songs for other artists, quietly building a reputation as a sharp lyricist and collaborator. In addition to fronting Whispertown, Nagler has
On their sophomore effort Irreversible, Chicago’s Brigitte Calls Me Baby delivers on the promise of their impressive debut, which earned critical praise, a global fanbase, and opening slots for everyone
The themes that weave through Mud Blood Bone, the fourth record from Canada’s Cat Clyde, tackle large, universal ideas. Yet, it’s her gift for writing deeply personal lyrics that gives
In 2024, The Black Crowes returned with their first album of new material in fifteen years, Happiness Bastards. The brothers Robinson ended their feud, and critics loved it. GRAMMY nods
In the digital age, there are several ways to account for a band’s growth. From their social media following to the number of streams attached to each release, labels, fans,
Every once in a while, you get the chance to hear an album that refuses to meet your expectations of what music should sound like, not because the band or
Before the private jets, the billion-dollar hospitality empire, and the globally recognized shorthand for coastal escapism, Jimmy Buffett was, in the words of guitarist Roger Bartlett, “a mere mortal.” Bartlett
Shoegaze is entering a renaissance period before our very eyes, and it couldn’t be a more invigorating revelation for the beloved genre. For the past few years, shoegaze acts have
Kim Gordon’s solo career (which didn’t start until she was 66) has been extremely fruitful as 2019’s No Home Record began her collaboration with producer/multi-instrumentalist Justin Raisen, and 2024’s The
Esther Rose is on the verge. Though the folk songstress has been chugging steadily along for damn near a decade, she seems to be hitting her stride with her newest
